The Same. |
| |
Knocking within. Enter a Porter. |
| Porter. Here's a knocking, indeed! If a man were porter of hell-gate he should have old turning the key. [Knocking within.] Knock, knock, knock! Who's there, i' the name of Beelzebub? Here's a farmer that hanged himself on the expectation of plenty: come in time; have napkins enough about you; here you'll sweat for 't. [Knocking within.] Knock, knock! Who's there i' the other devil's name! Faith, here's an equivocator, that could swear in both the scales against either scale; who committed treason enough for God's sake, yet could not equivocate to heaven: O! come in, equivocator. [Knocking within.] Knock, knock, knock! Who's there? Faith, here's an English tailor come hither for stealing out of a French hose: come in, tailor; here you may roast your goose. [Knocking within.] Knock, knock; never at quiet! What are you? But this place is too cold for hell. I'll devil-porter it no further: I had thought to have let in some of all professions, that go the primrose way to the everlasting bonfire. [Knocking within.] Anon, anon! I pray you, remember the porter. [Opens the gate. |
| |
Enter MACDUFF and LENNOX. |
| Macd. Was it so late, friend, ere you went to bed, |
| That you do lie so late? |
| Port. Faith, sir, we were carousing till the second cock; and drink, sir, is a great provoker of three things. |
| Macd. What three things does drink especially provoke? |
| Port. Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes, and unprovokes; it provokes the desire, but it takes away the performance. Therefore much drink may be said to be an equivocator with lechery; it makes him, and it mars him; it sets him on, and it takes him off; it persuades him, and disheartens him; makes him stand to, and not stand to; in conclusion, equivocates him in a sleep, and, giving him the lie, leaves him. |
| Macd. I believe drink gave thee the lie last night. |
| Port. That it did, sir, i' the very throat o' me: but I requited him for his lie; and, I think, being too strong for him, though he took up my legs sometime, yet I made a shift to cast him. |
| Macd. Is thy master stirring? |
| |
Enter MACBETH. |
| Our knocking has awak'd him; here he comes. |
| Len. Good morrow, noble sir. |
| Macb. Good morrow, both. |
| Macd. Is the king stirring, worthy thane? |
| Macb. Not yet. |
| Macd. He did command me to call timely on him: |
| I have almost slipp'd the hour. |
| Macb. I'll bring you to him. |
| Macd. I know this is a joyful trouble to you; |
| But yet 'tis one. |
| Macb. The labour we delight in physics pain. |
| This is the door. |
| Macd. I'll make so bold to call, |
| For 'tis my limited service. [Exit. |
| Len. Goes the king hence to-day? |
| Macb. He does: he did appoint so. |
| Len. The night has been unruly: where we lay, |
| Our chimneys were blown down; and, as they say, |
| Lamentings heard i' the air; strange screams of death, |
| And prophesying with accents terrible |
| Of dire combustion and confus'd events |
| New hatch'd to the woeful time. The obscure bird |
| Clamour'd the livelong night: some say the earth |
| Was feverous and did shake. |
| Macb. 'Twas a rough night. |
| Len. My young remembrance cannot parallel |
| A fellow to it. |
| |
Re-Enter MACDUFF. |
| Macd. O horror! horror! horror! Tongue nor heart |
| Cannot conceive nor name thee! |
| Macb. & Len. What's the matter? |
| Macd. Confusion now hath made his master-piece! |
| Most sacrilegious murder hath broke ope |
| The Lord's anointed temple, and stole thence |
| The life o' the building! |
| Macb. What is 't you say? the life? |
| Len. Mean you his majesty? |
| Macd. Approach the chamber, and destroy your sight |
| With a new Gorgon: do not bid me speak; |
| See, and then speak yourselves. [Exeunt MACBETH and LENNOX. |
| Awake! awake! |
| Ring the alarum-bell. Murder and treason! |
| Banquo and Donalbain! Malcolm! awake! |
| Shake off this downy sleep, death's counterfeit, |
| And look on death itself! up, up, and see |
| The great doom's image! Malcolm! Banquo! |
| As from your graves rise up, and walk like sprites, |
| To countenance this horror! Ring the bell. [Bell rings. |
| |
Enter LADY MACBETH. |
| Lady M. What's the business, |
| That such a hideous trumpet calls to parley |
| The sleepers of the house? speak, speak! |
| Macd. O gentle lady! |
| 'Tis not for you to hear what I can speak; |
| The repetition in a woman's ear |
| Would murder as it fell. |
| |
Enter BANQUO. |
| O Banquo! Banquo! |
| Our royal master's murder'd! |
| Lady M. Woe, alas! |
| What! in our house? |
| Ban. Too cruel any where. |
| Dear Duff, I prithee, contradict thyself, |
| And say it is not so. |
| |
Re-Enter MACBETH and LENNOX. |
| Macb. Had I but died an hour before this chance |
| I had liv'd a blessed time; for, from this instant, |
| There's nothing serious in mortality, |
| All is but toys; renown and grace is dead, |
| The wine of life is drawn, and the mere lees |
| Is left this vault to brag of. |
| |
Enter MALCOLM and DONALBAIN. |
| Don. What is amiss? |
| Macb. You are, and do not know 't: |
| The spring, the head, the fountain of your blood |
| Is stopp'd; the very source of it is stopp'd. |
| Macd. Your royal father's murder'd. |
| Mal. O! by whom? |
| Len. Those of his chamber, as it seem'd, had done 't: |
| Their hands and faces were all badg'd with blood; |
| So were their daggers, which unwip'd we found |
| Upon their pillows: they star'd, and were distracted; no man's life |
| Was to be trusted with them. |
| Macb. O! yet I do repent me of my fury, |
| That I did kill them. |
| Macd. Wherefore did you so? |
| Macb. Who can be wise, amaz'd, temperate and furious, |
| Loyal and neutral, in a moment? No man: |
| The expedition of my violent love |
| Outran the pauser, reason. Here lay Duncan, |
| His silver skin lac'd with his golden blood; |
| And his gash'd stabs look'd like a breach in nature |
| For ruin's wasteful entrance: there, the murderers, |
| Steep'd in the colours of their trade, their daggers |
| Unmannerly breech'd with gore: who could refrain, |
| That had a heart to love, and in that heart |
| Courage to make's love known? |
| Lady M. Help me hence, ho! |
| Macd. Look to the lady. |
| Mal. [Aside to DONALBAIN.] Why do we hold our tongues, |
| That most may claim this argument for ours: |
| Don. [Aside to MALCOLM.] What should be spoken |
| Here where our fate, hid in an auger-hole, |
| May rush and seize us? Let's away: our tears |
| Are not yet brew'd. |
| Mal. [Aside to DONALBAIN.] Nor our strong sorrow |
| Upon the foot of motion. |
| Ban. Look to the lady: [LADY MACBETH is carried out. |
| And when we have our naked frailties hid, |
| That suffer in exposure, let us meet, |
| And question this most bloody piece of work, |
| To know it further. Fears and scruples shake us: |
| In the great hand of God I stand, and thence |
| Against the undivulg'd pretence I fight |
| Of treasonous malice. |
| Macd. And so do I. |
| All. So all. |
| Macb. Let's briefly put on manly readiness, |
| And meet i' the hall together. |
| All. Well contented. [Exeunt all but MALCOLM and DONALBAIN. |
| Mal. What will you do? Let's not consort with them: |
| To show an unfelt sorrow is an office |
| Which the false man does easy. I'll to England. |
| Don. To Ireland, I; our separated fortune |
| Shall keep us both the safer: where we are, |
| There's daggers in men's smiles: the near in blood, |
| The nearer bloody. |
| Mal. This murderous shaft that's shot |
| Hath not yet lighted, and our safest way |
| Is to avoid the aim: therefore, to horse; |
| And let us not be dainty of leave-taking, |
| But shift away: there's warrant in that theft |
| Which steals itself when there's no mercy left. [Exeunt. |
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